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"Reflection of Mt. McKinley on Wonder Lake in Denali National Park, Alaska, circa 1988." Randy Brandon Collection, Anchorage Museum, B2016.019.06458.036.04.04.
"Bridge across Hess Creek Canyon, leading the the Hartley house, circa 1885." George Fox University Photographs. GFU.01.09. George Fox University Archives. Murdock Library. George Fox University.
Unknown, "Students in Airplane, 1946." Linfield College Archives Photograph Collection. Image. Submission 113.
"Dr. Henry Fielding Reed leading a Mazama party down the soon-to-be-named Reed Glacier on Mount Hood, 1901." Mazama Library and Historical Collections, VM1993.020 Mt Hood, 1901.
Oregon Metro Archives.
"Deputy Seth Davidson rides his motorcycle up Beacon Rock on March 18, 1930. From the records of the Multnomah County Sheriff's Office." Multnomah County Archives.
"Mount Hood from Lost Lake, circa 1910." Kiser Photo Co. photographs, Org. Lot 140, bb000223, Oregon Historical Society Research Library.
“University of Oregon Medical School football team, 1894,” OHSU Digital Commons, accessed August 16, 2018.
"Old Fort Road Campus, circa 1950s," University Archives, Oregon Institute of Technology.
"Belle Bloom Gevurtz, Sarah Goodman, Ophelia Goodman, Helen Goodman, Lillian Heldfond, and Ann Zaik at Cannon Beach, circa 1914," Oregon Jewish Museum and Center for Holocaust Education, OJM2996.
"Men repairing the dome of Congregation Beth Israel building on NW Flanders St., designed in 1925 by Herman Brookman, 1981," Oregon Jewish Museum and Center for Holocaust Education, OJM9966.
"View of OAC from Lower Campus, 1909." Oregon State University Archives and Special Collections.
"Woman with Child, n.d.," C.M. Russell Museum, Great Falls, Montana. Joseph Henry Sharp Photograph Collection.
"Green Lake Park, 1985." Seattle Arts Commission. [Office of Arts and Cultural Affairs]. Seattle Municipal Archives.
"Aerial view of Century 21 World's Fair, 1962." City Light Negatives, Seattle Municipal Archives.
"PH037_b089_S00208," Angelus Studio photographs, 1880s-1940s, University of Oregon. Libraries. Special Collections & University Archives.
"Students studying in the library, University of Washington, circa 1908-1909," Arthur Dean University of Washington Photograph Album, PH Coll 903, University of Washington Libraries Special Collections.
Asahel Curtis, "Forest ranger cabin in the Olympic National Forest in the Elwha Valley, 1924." Conservation Department, Planning and Development division, Lantern Slide Shows, Washington State Archives.
Asahel Curtis, "Stacking alfalfa hay near Grandview, circa 1925." Conservation Department, Planning and Development division, Lantern Slide Shows, Washington State Archives.
"Inauguration of Governor Ferry, November 11, 1889." Rogers (photographer), Inauguration of Governor Ferry Photographs, 1889, Washington State Archives, Digital Archives.
Asahel Curtis, "Yakima Pears." Washington State Library collection of photographs by Asahel Curtis, circa 1920-1940 (MS 0544-29).
"Student in Professor Frank Chalfant's Phonetics Laboratory," 1912. The lab was an early precursor to today's Foreign Language Lab. Washington State University Lantern Slides collection.
Bill Phillips, "Wheel Shop employees in Livingston during the last days of Livingston BN Shops," Park County." Yellowstone Gateway Museum.

Job Alert: Vulcan Post Production Coordinator (Temporary - No Compensation Listed)

22 Mar 2019 6:02 PM | Rachael Woody

The Post Production Coordinator is responsible for the coordination, organization and post-production evaluation of media projects and assets.  Demonstrated knowledge in media production in addition to operational coordination is required.  The ideal candidate will have an understanding of media formats, storytelling across platforms, and outstanding communication and organizational skills. Additional experience working on projects with ancillary project marketing and promotion elements as well as focused outreach and impact goals is a plus.

ESSENTIAL DUTIES AND RESPONSIBILITIES

  • Work directly with internal production staff and external production companies to track and manage the review of all delivery elements for films, television programs, and digital videos.
  • Manage the quality control (QC) process of project deliverables.
  • Coordinate and oversee the ongoing ingest of assets into the company Media Asset Management System (MAM).
  • Work directly with media assets and the MAM system by providing operational support as needed.
  • Apply metadata to assets while maintaining consistency and metadata standards and naming conventions used within the organization.
  • Coordinate the activities and monitor the progress of all temporary cataloging project staff.
  • Work with internal Media Services staff to review and test any configurations and/or customizations for the MAM.
  • Work with internal Media Operations staff on technical support and troubleshooting services to MAM users including managing permissions, third-party access requests, and maintenance schedules.
  • Assist with training of staff on new workflows and processes.
  • Work with internal Media Services staff to help enforce user roles and permissions.
  • Manage project timelines and provide regular updates to team leads.
  • File and archive all deliverables paperwork.
  • Organize and coordinate proper storage for hard drives and other media deliverables (tape, film, etc.).
  • Ensure that project schedules and budgeting decisions align with Vulcan’s stated goals and expectations.
  • Update production tracking reports to ensure tasks are completed on time and for contract compliance.
  • Work with production team to create deliverables list and delivery schedule for each agreement.
  • Arrange meetings and conference calls, develop and manage meeting agendas, and follow-up on action items as needed.
  • Participate in special projects and performs other duties as assigned.

QUALIFICATIONS

To perform this job successfully, an individual must be able to perform each essential duty. The requirements listed below are representative of the knowledge, skill, and/or ability required. Reasonable accommodations may be made to enable individuals with disabilities to perform the essential functions.

Knowledge, experience, skill, and/or ability   

  • Knowledge of video production, video and audio file formats, camera specs, and video compression is required.
  • Understanding the logistics of the post-production process and technical knowledge is required.
  • Prior experience with data archiving technologies is preferred.
  • Experience with media transcode and delivery technologies, including codecs, file systems, file transfer applications such as Aspera, media processing hardware/software such as Telestream Vantage is a plus.
  • Demonstrated ability to trouble-shoot and present options and solutions to post production challenges.
  • A working knowledge of the production and animation pipeline.
  • Knowledgeable about production trends and familiarity with industry standard production techniques.
  • Prior experience with deliverables and rights and clearances is a plus.
  • Demonstrated experience in forging excellent partnerships.
  • Demonstrated team building capabilities; collegial and inclusive working style.
  • A self-starter who has the ability to prioritize among multiple concurrent projects.
  • Excellent communication skills.
  • Demonstrated honesty and integrity.

Required computer skills

  • MS Office Suite (Word, Excel, Outlook)
  • Adobe Suite (Prelude, Premiere, Photoshop)
  • Mac OSX
  • Experience with non-linear video editing programs is preferred (Premiere, Final Cut, Avid)
  • Experience with a Digital Asset Management (DAM) system or Media Asset Management (MAM) system is a must

Education/experience/certifications

  • Minimum 2-3 years of experience in production, post production or broadcast.
  • Bachelor’s degree (B.A. or B.S.) from accredited institution OR equivalent combination of education and experience.


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